A spirited discussion between licensing companies and music supervisors, each discussing better ways to managing the ever-increasing volume of music submissions, demonstrating better creative pitch approaches, writing more effective creative briefs, and using technology and smart metadata to land the synch. Recorded at USC at the 2018 GMS Music in Media Conference. Featuring Anny Colvin, Ann Kline, Rob Lowry, and moderated by Kristen Bushnell Perez View:

Join our conversation with current music coordinators who work on prominent Film, Television, and Trailer projects, as they transition into music supervisor roles. Together they’ll discuss tips for breaking into the industry and continue to expand the dialogue on how music coordinators can elevate the success and craft of music supervisors and music supervision in general. Recorded at the 2018 GMS Music in Media Conference at USC. Featuring Evelin Garcia, Justin Kamps, Whitne

"Spoilers ahead for the first season of “Russian Doll.” In the new Netflix series “Russian Doll,” Nadia (Natasha Lyonne), a cynical video game programmer with commitment issues, finds herself caught in a never-ending cycle of death and resurrection on the night of her 36th birthday party. No matter what Nadia does, she eventually dies and awakens in the same bathroom on that same night at that same party. And with almost every reset, the staccato piano chords of a nearly 50-y